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| Volume I, Issue 4 | September 2, 2007 |
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Not-so-idle MusingsWriter's UNblockNot long ago, I read a forum thread on writer's block. Most of the respondents focused on why people experienced writer's block: stress, fatigue, lack of focus, and scarce time to dedicate solely to writing were all mentioned. But regardless why a person feels creatively blocked, wouldn't it be handy to have a reliable means of getting past it? In one of my former lives, I was an English teacher. I occasionally asked my students to do a Freewrite activity. There was only one rule for this writing assignment: pencils must not stop making words during the allotted writing time, usually ten minutes. Grammar and spelling were of no consequence during a Freewrite. Sometimes I gave a springboard question or quote to get the reluctant started, but following it was not required. The writing that evolved from a Freewrite was entirely without limit in topic. Often students simply allowed their random thoughts to present themselves on paper. Words did not have to make sense together: strings of interesting phrases with no relation to each other were common. Frequently, several students' writings started nearly the same but quickly distinquished themselves according to each writer's unique style and thoughts:
This exercise never failed to amaze me. When time was up, there was invariably at least one student who asked for "just another couple minutes." Once in a while, the student begging for more was the very same one who had put up the fiercest resistance at the beginning of the Freewrite time. The Freewrite method works for several reasons:
If the Freewrite method can work for actively resistant ninth-grade students, imagine the possibilities it presents for the more seasoned writer! Next time you feel stymied by a blank page or monitor, try granting yourself a very small block of writing time, turning off that irritating self-editor in your brain, and jotting the disconnected thoughts that float unbidden across your consciousness. You just may discover you have a whole lot more to write about than you realized! Usage TipCan vs. MayModals (perhaps you learned them in school as a category of auxiliary or "helping" verbs) are among the most confusing English words to master. And no wonder: besides their refusal to follow the patterns verbs normally take, we also use some of them interchangeably so regularly that we forget they are not identical in meaning. Can and may are two of the English modals that have fallen into that pattern. The basic difference between can and may is pretty simple. Can is about ability; may is about permission*. Consider these two examples:
In the first sentence, the focus is on John's tremendous capability: he CAN. In the second, John's ability to play is beside the point; under what condition he is allowed to exercise his talent is the question: he MAY. When you're not sure which to use, jog your memory by thinking of these two famous instances. Sammy Davis, Jr.'s song "Yes I Can" = ABILITY Try distinguishing the difference with a few example sentences. Complete each one with either can or may.
Answers: Sentences 1, 4, and 5 require can; may completes 2 and 3. English speakers are often guilty of using can in both instances. In everyday speech, chances are most people wouldn't even notice the substitution. The Chicago Manual of Style (15th Edition) acknowledges that, in informal situations, can is often used to indicate permission in the same way may is above. However, Chicago also offers a caveat: in any kind of formal writing, may to express permission is far preferable to can. Likewise, in a speaking situation other than casual conversation, it would be prudent to consciously use the correct modal. *May has a second usage as well: an expression of possibility. (Ex: If conditions are right, I may go fishing this weekend.) However, that usage is more commonly confused with might than with can--a problem which will be addressed separately in a future issue.
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Language Corner'Net Language, Part I:
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